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Joern Novotny

Joern Christian Novotny

Accomplished lighting technician and Co-founder

Accomplished lighting technician and co-founder of Novo Lighting Ltd., with over 25 years of expertise in film, television, music videos, and photoshoots.

As a full member of IATSE Local 891, Joern combines technical mastery with innovative lighting solutions to elevate cinematic storytelling for productions in Vancouver and beyond.

Starting his career in Germany in 1997, Joern honed his skills in balloon lighting systems, working across diverse projects before co-founding Novo Lighting Ltd. in 2012 with Dylan Paul. His vision drives Novo’s commitment to delivering high-quality, German-engineered balloon lighting – featuring LED, tungsten, and hybrid options – designed for durability and versatility in demanding film environments.

At Novo, Joern leads technical design and on-set lighting operations, ensuring seamless integration of spherical, tube, and 20’x20’ grip cloud balloons. His expertise has powered over 130 productions, including The Last of Us Season 2 (HBO), where he orchestrated 10 lighting balloons for a Stanley Park chase scene, Tracker Season 2 (CBS), and Happy Face. Joern’s collaborative approach and precision have made Novo a trusted partner for cinematographers and gaffers.

Phone: +1 778 838 0461

Dylan Paul

Co-Founder & Operations Lead, Novo Lighting Ltd.

Lighting Technician • Equipment Specialist • Production Support

Dylan Paul is a seasoned set lighting technician and equipment logistics specialist with a deep background in both hands-on film lighting and production support. As co-founder of Novo Lighting Ltd., Dylan brings over 15 years of industry experience to every project – merging technical precision with creative problem-solving to deliver reliable, high-impact lighting solutions for film, television, and commercial productions.

Dylan began his career in grip and electric departments on local productions before moving into equipment rentals and large-scale project logistics. His rare combination of on-set experience and deep knowledge of lighting systems made him a natural fit for co-leading Novo’s mission: to provide high-quality, crew-driven balloon lighting setups designed to meet the evolving needs of modern cinematography.

At Novo, Dylan oversees operations, manages equipment maintenance and deployment, and works directly with productions to ensure seamless service – from pre-light planning to night shoots in complex environments. His calm leadership and technical rigor have helped Novo complete over 130 successful productions, including The Last of Us (HBO), Tracker (CBS) and numerous high-end commercial campaigns.

Phone: +1 778 838 0467

Our Signature Innovation: The Grip Cloud

A standout in our lineup is the Novo Grip Cloud – a soft, balloon-based diffusion system that’s become a go-to alternative to traditional overheads. Available in both our full-scale 20’ x 20’ and compact 12’ x 20’ models, Grip Clouds are built for speed, precision, and control. Whether deployed in tight urban locations or sensitive heritage sites, these systems offer safe, quick-rigging solutions with beautiful, even light – no lifts or cranes required.

Balloon Lighting, Reimagined

From remote landscapes to night shoots on city rooftops, our balloon lighting systems are engineered to perform in real-world production environments. Designed for rapid deployment, consistent color, and ultimate control, Novo balloon lights deliver soft, cinematic illumination that adapts to the needs of directors, gaffers, and cinematographers.

Featured productions include:

  • The Last of Us (Season 2) – HBO
  • Deadpool 2 – 20th Century Fox
  • The Man in the High Castle – Amazon Studios
  • Lost in Space – Netflix
  • Twilight Zone – CBS All Access
  • The Mysterious Benedict Society – Disney+
  • …and many more.

Why Productions Choose Novo

  • Grip + Electric Expertise: Designed by set lighting technicians with decades of hands-on experience.
  • Built for Set Life: Reliable, rugged, and production-friendly equipment that performs under pressure.
  • Vancouver-Based, Set-Ready: Strategically located to support productions across British Columbia and beyond.
  • Crew-Trusted: Our gear is field-tested and operator-approved—created to work seamlessly with your crew, not against it.